I wanted it to be a ballad of quiet sadness, alleviated with humor
In 1932, when my play was performed in Berlin, the press almost unanimously called it a satire of Munich and the Oktoberfest. I do not want to dwell on this misunderstanding of my intention, this confusion of the story with the location.
It is not a satire at all, but the ballad of the unemployed driver Kasimir and his fiancée. I wanted it to be a ballad of quiet sadness, alleviated with humor, in other words, with this banal certainty: death awaits us all.
Ödön von Horváth
DIRECTOR: Bálint Botos
DRAMATURG: Júlia Sándor
STAGE DESIGN: Előd Golicza
COSTUME DESIGN: Sára Luca Jeli
MUSIC: László Bakk-Dávid
Cu:
János Szilárd Szabó, Ágnes Keresztes, Attila Diószegi, Orbán Nagy, Tibor Bodea Gál, Gyula Gaál, Zsolt Orbán, Evelyn Budizsa, Tekla Laczkó, Johanna Bándi, Máté Erdei, Zita László, Gergő Frumen, Nándor Poszet,
Ádám Barbara, Denisa Graz, Ingrid Vonház, Erik Vonház
